Sunday, 12 May 2024

Songs With Sitar as Interludes / Intro...

Songs with sitar interludes or opening pieces

list made by senior sitarist prasad gondkar...



Solo female songs -

1)naino main badra chhaye(d)

2) o sajana barkha bahar aai (c/b)

3)kali ghata chhaye more jiya tarsaye(f#)

4)o chup rahe to mere dilke daag jalate hai (b)

5)tora man darpan kahlaye(c#)

6)mere man ka bawara panchi(c)

7)jaiye aap kahan jayenge (cm)

8)piya tose naina lagere(e)

9)rasik balma(c#/b)

10)megha chhaye aadhiraat(b)

11)jab dil ko satave (c)

12)chanda ki chhavon main(e)

13)aaja ab to aaja(c)

14)laheraye jiya(f)

15)mahefil main jal uthi shama(g)

16)main kyun na nachu aaj kaho ji(g)

17)o chand jahan o jaye(c)

18)hone laga hai mujhpe(f)

19)tum kya jano tumhari yaad main(a)

20)aplam chaplam(e)

21)so ja re chanda(fm)

22)mere ghar aai ek nanhi pari (f/g)

23)hum hai mataye kuchaok(g)

24)meri aankhon se koi nind liye jata hai(d)

25)ye zindagi usi ki hai(c)

26)sawan ke jhule pade(f#m)

27)main piya teri tu mane ya n mane(ebm)

28)tumhe yaad karte karte(c#m)

29)radha na bole na bole(f#)

30)bairan nind na aaye(d)

31)bedardi dagabaaz ja(g#)

32)mat jaiyo naukariya chodke(fm)

33)unko ye shikayat hai ke hum kuch nahi kehte(b/c#)

34)hairatonke silsile(c#)

35)rasme ulfat ko nibhaye(ebm)

36)sanjh bhaye ghar aaja (c#m)

37)dikhaye diye yun(c#)

38)piya aiso jiya main(fm)

39)saware saware(c#)

40)hai isimain pyar ki aabaru(a)


41)jivan jer tumhi sang bandhi(f)

42)vikal mora manwa(f#m)

43)koi matwala aaya mere(f#m)

44)aeri janena dungi(eb)

45)maine rangli aaj chunariya (f#m)

46)ja main tose nahi bolu(c#)

47)jaye jahan meri nazar(g#)

48)is duniyase nirala hun(g)

49)balma khuli hawa main(c#/f#)

50)aaj koi pyar se(f#)

51)sajan sang kahe neha lagaye (c#)

52)lagan tose lagi balma(eb)

53)ashkonse teri dilmain(eb)

54)tumhe dekhati hun to lagta hai aise(c#m)

55)dhuwa banake fiza main(bbm)

56)rajanigandha phool tumhare(f#)

57)pakija (title song)(c#)

58)aaj socha to aansubhar aaye(dm)

59)dhundho dhundho re sajana(d#)

60)jane kya tume kahi(d#)

 61)ruk ja raat theher jare chanda (c)

62)na jiya lage na(g/g#)

63)mohe panghat pe nandlal chhed gyore (f#/g)

64)meri beena tum bin roae(d)

65)tu pyar kare ya thukaraye(d)

66)sabase ye kahe do(f#/g)

67)sapne main sajan se do baatein(b)

68)jao re jogi tum jaore(eb)

69)neel gagan ki chhaome(c#)

70)ye kya kar dala tune(f#m)

 71)wo haseen dard  de do(g#m)

72)piya bawari(eb)

73)man re tuhi bata kya gau (d)

74)ja re badra bairi ja (eb)

75)kahe tarsaye jiyara (c#)

76)garjat barsat sawan (c)

77)jyoti kalash chalake(c/c#)

78)bhawara bada nadan hai(eb)

79)ruk ja aye hawa tham ja aye ghata(c#)

80)mausam hai aashikana(c#)


81)roj roj dali dali(eb)

82)pawan deewani n mani(c#)

83)jab chali thandi hawa(c#)

84)khayali main kisi ke (d)

85)baiya na dharo(d)

86)chhayi barkha bahar(eb)

87)salauna sa sajan hai(g)

88)dil cheez kya hai(g/g#)

89)jhute tere nain(d)

90)ye kya jagah hai dosto(eb)


 91)in aankhonke masti ke(f/f#)

92)apne aap raaton main(eb)

93)aang aang rang chalkaye(c#)

94)baharon mera jeevan bhi savaro(e)

95)udke pawan ke ruk ja aye hawa(c#)

96)mausam hai aashikana (c#)

97)ghar aaja ghir aaye(d#/eb)

98)koi matwala aaya mere dware(f/f#)

99)allah tero naam(eb)

100)kanha re kanha re (d)


101) o basanti pawan pagal (f/f#)

102)chhod de sari duniya kisike liye((f/f#)

103)faili hui hai sapnoki baahen(eb)

104)ye kaun aaya ke meri dil ki(dm)

105)holle hole sajana(eb)

106)jane kaise sapno main kho gaye akhiya(eb)

107)nadiyo ke pani o re(em)

108)rahete ye kabhi jinke dil main(c)

109)mera dil jo mera hota(c#)

110)nanhi kali sone chali(f)


111)sapno main agar mere tum aao(c#)

112)jab jab tumhe bhulaya(e)

113)nagma o sher ki saugat (eb)

114)ek baat puchti hun(eb)

115)chanda ja chanda ja re ja(c#)

116)aapki baatein kare ya(e)

117)prabhu tero naam(c)

118)zindagi bhar nahi bhulegi(e/f)

119)chupke chupke chsl ri purvaiya(bm)

120)o mere sanam (e)


 121)chandan sa badan(d#)

122)mohe panghat pe nandlal (fm)

123)ye zindagi usiki hai(cm)

124)mora gora aang le le(c#)

125)bole re papihara papihara(c#)

126)tujhse naraz nahi zindagi(g#)

127)aajkal paav jamipar(c#)

128)mera kuch saman (b)

129)man re tuhi bata kya gau(d)

130)aisa ho to kaisa hoga(g#)


131)sharm aati hai magar aaj ye(g#)

132)tere bina jiya jaye na(g)

133)ari pawan dhundhe kise tera man(e)

134)inhi logone le liya(eb)


*solo male songs*


134)sawere ka suraj tumhare liye hai(d)

135)pyar par bas to nahi hai(d)

136)tum mujhe yun bhula na paoge(eb)

137)chupke chupke(eb)

138)sarkati jaye hai rukhse(eb)

139)aawargi hungama hai kyu hai barkga(eb)

140)kahi bekhayal hokar(original)

141)rimjhim gire sawan(c#m)

142)watan pe jo fida (em)

143)jane bahar husn tera bemisal hai(g#m)

144)sine mai jalan(f/f#)

145)aur kya aehede wafa(f/f#)

146)zindagi pyar ki do char ghadi hoti hai(f/e)

147)mohabbat hi n jo samjhe (b)

148)kaun aaya mere manke dware(g#b)

149)radhike tune bansuri churai(eb)

150)koi nahi mera is duniya main(a)


151)ghungru tarha bajtahi raha hu mai(e/f)

152)meri yaad mai tum na aasu bahana(c)

153)mai pagal mera manwa pagal(e)

154)yaad jab aae teri(d)

155)raushan tumhi se duniya(eb)

156)ye chandsa raushan chehra(e)

157)sur na saje kya gau mai (d)

158)mere naina sawan bhado (cm)

159)payal wali dekhna (d)

160)munna bada pyara (g)


161)tasveer banata hun(g#)

162)sanjh dhale gagan tale (eb)

163)hawaope likh do hawaonke naam (eb)

164)mana janabne pukara nahi  (d)

165)aana hai to aa rah mai (eb)

166)dil dhal jaye haye (g)

167)dil ki aawaz bhi sun (b)

168)bhuli huvi yaandon (c/c#)

169)laga chunri mai daag (d/d#)

170)mai pal do pal ka (original )


171)hai kali kali ke dilpe (eb)

172)kahi ek masum najukdi (e)

173)kya nazare kya sitare (c#)

174)aye ji dilpar hua aisa jadu (c)

175)ka karu sajni aye na balam (c#)

176)tumhari julf ke sayeme sham kar unga  (g)

177)koi sagar dil ko behelata nahi (e)

178)it ki dukki pan ka ekka (d)

179)humse aaya n gaya (d)

180)phir wohi sham (c)
[10/22, 10:36] home mobile: 181)zindagi bhar nahi bhulegi (f)

182)chandan sa badan (d/d#)

183)subaha na aai (d#)

184)madhuban me radhika nachere (d/d#)

185)phool gendwa n mari  (bbm)

186)mujhko thand lag rahi hai (bb)

187)kisi rah me kisi modpar (eb)

188)tu hai mera prem devata (fm)

189)waha kaun hai tera (f)

190)badi suni suni hai (g)


191)jo baat tujhme hai (g)

192)phir wo bhulisi yaad (a)

193)me apne aapse ghabra gaya hun (bb)

194)man re tu kahe na dhir(d)

195)jeevan se bhari teri aankhe (g)

196)wo meri taraf yun chale aa rahe hai (original )

197)khushi do ghadi ki (b)


*duets*

198)wo jab yaad aaye (e)

199) is mod se jate hai (c#/eb)

200)nain so nain nahi milao (f#)

201)ek shehenshah ne banwake hasi tajmehel (f)

202) naam gum jaye ga ?c#)

203)bhul jaye sare gum (c)

204)tum gagan ke chandrama (e)

205)mujhe mera pyar de de (f)

206)phir miloge kabhi (eb)

207)aap yunhi agar humse milate rahe (d)

208) me bangali chhokara (f)

209)roka kai bar maine (f#m)

210)sach bata tu mujhpe (c#/d)

211)the yaar dil ki raat me (c#)

212)mohabbat me aise (am)

213)chod do aanchal (g)

214)gaye dinoka suraag (c/c#)

215)beeti na beetai raina (eb)

216)tere mere milan ki ye raina (d)

217)deewana hua badal (d)

218)jo wada kiya wo (f/f#)

219)jhuthe naina bole (c)

220)phir n ki je meri (eb)

221)hazar rahe mudke dekhi (c#)

222)phir chedi raat baat phulonki (e/f)

223)patta patta buta buta (c#)

224)shokhiyon me ghola jaye (c#)

225)kuhu kuhu bole koyaliya (c#)

226)radha kaise n jale (c#)

227)jhir jhir jhir jhir (a)

228)tum ko dekha to ye khayal (f)

229)dil a nada tujhe hua kya hai (f)

230)rimjhim ke tarane leke aai barsat (f)

231)phulwa ban meheke (f)

232)gum sum sa ye jahan (f)

233)do ghadi wo jo pas aa baithe (eb)

234)isharon isharon me dil lenewale (f)

235)tere mere milan ki ye raina (d)

236)tere bina zindagi se koi shikva to nahi (f#)

237)mithe bol bole bole payalia (c#)

238)hai aaya hai jabse tera haath me (g)

239)thodi si jami thoda aasma (eb)

240)aa mohabbat ki basti basayenge  hum (d)

241)sineme sulagte hai arma (e/f)

242)ek bar jara phir kahedo (e)

243) raaj sineme mohabbat ka (original) 

Thursday, 14 September 2023

Jhanak Jhanak Tori Baje Payaliya, Dr Rahul Joshi


 

Raksha Bandhan

Good Morning, 
Today, the sacred Raksha Bandhan ceremony is being celebrated across the country with traditional fervor and gaity. The day signifies, the love and trust between brothers and sisters. It has historical,traditional&mythological
significance which talks of the strong, the powerful,the police & the soldiers giving protection to the meek,mild and 
the weak against injustice. 

There was a time in our society when the women in general were considered
possessing relatively weak physique & a nature delicate or tender.As such they require protection against all evil eyes & ill treatment.Rakhya Bandhan ceremony gets validated in the above light apart from setting an example of ideal brother sister relationship. Brother guaranteeing to stand by the sister through thick and thin and the sister praying for a long and blissful life of the brother. 

Devi Subhadra tieing the Rakhi on the wrist of Sri Krishna and Sri Balaram, Draupadi and Godess Laxmi tieing the same on the wrist of Krishna & King Bali respectively. Historically, queen Karnavati tied Rakhi treating Humayun as brother. 

But the situation today is different as women are no way inferior to men to move shoulder to shoulder with male
members for all activities. No more the physique is a barrier as the same is being made good mostly by modern technique and intellect.Having said so, here is nothing wrong in celebrating the festival with happiness and joy for a stronger bonding,flow of love,trust, reliance and social responsibility. 

Wishing a Happy Raksha Bandhan and Sacred Birthday of Sri Balabhadra. 🌺

Wednesday, 16 August 2023

Give but don't let the person Know....



The Highest form of love is when you do a lot for somebody.... and that somebody never gets

a feel that you are doing something for him/her !!

The love should be so much that the other person must feel that he is doing for you.... and he must

get the importance of doing things for you...  !!

The love should be so much that the person must come out of her shell and bloom like a flower....

The love should be such that the person grows.....  but never get a feeling that you are doing

something for him/her !!

The love should be such that even in small fights... take a back seat and let the person win the

argument.....

      The essense of true love is Unconditional Giving....  and making a person feel important....

Genuinely !!

Anger... is it worth !


               Anger decoded
              --------------------------
The sources of learnings are many. Experience is so important to teach practically the benefits of learnings & applications.The teachings of great personalities past and present when consumed with right earnest,the same enlightens a person.The enlightening heart finds an expression in a radiant/basking face. 

One of the great personalities to ever tread on Indian soil was Chanakya or Kautilya, a popular name.Teachings of Chanakya are beyond time to remain relevant in all ages.On anger,the views 
of Chanakya are so practical,devoid of any sermon. 

Chanakya believed that anger is one's greatest enemy as long as the same is 
used for fulfilling the vested interest. But Simultaneously,he professed that anger could be a boon when utilized for the cause of the nation building. 

At times,the anger is to be swallowed depending on a context and ultimate aim of protecting national interest.Not a permanet feature to forget the anger completely.Convert anger into strong resolution & the resolution into one's determination.Wait for the opportune moment to arrive but never give up the preparedness in between. 

His philosophy was not confined to recitation in verses alone. He himself lived it word by word.While leaving the court of the king Dhana Nanda,he was fearless,giving the emperor an open challenge to destroy Nanda dynasty from the root and install an able and deserving person on the throne.The rest is history.

As a master and mentor,he rightly expected that the pupils being taught by him and the believers in his way of life & philosophy also followed the same in letter and spirit.Not in mere words but in actions. 
 
Wishing a beautiful day.